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It would be fairest simply to require symmetry and equalization of the standards. In response to the rule change, it seems likely that most schools will implement the preponderance standard for both sexual and non-sexual cases, in order to avoid the public-relations cost of levelling up or uniquely disfavoring Title IX complainants.

Currently, many schools dispense with a hearing.

While the investigator-only model is economical for schools and helps make the process less formal, it can block the complainant and the accused from knowing and contesting the evidence and any interpretations or bias that the investigator may be developing.

The new regulations would require that the person who investigates the facts be different from the person who makes the decision and that the parties have the opportunity to be heard and to hear each other in front of the decision-maker.

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Star Wars: The Rise of Skywalker is a galactically stupid title

Several courts have therefore held that cross-examination is required in campus-discipline cases. DeVos follows those courts but attempts to soften the potential for emotional confrontation. This method has been implemented at Harvard Law School, where I teach. The most objectionable changes seem the most technical, but the harm could be profound.

Title I Program

DeVos is responding to the valid concern that increasingly expansive definitions of sexual harassment can easily lead to absurd and unfair results. But her attempt to establish a narrow definition overshoots the mark, if the goal is to insure access to education free of sexual harassment. That may sound reasonable, but it becomes untenable when many students live or interact off campus, at, say, a fraternity house that is independent of the school.

Worst of all, the new regulations say that schools are in violation of Title IX only if they know of sexual-misconduct allegations and are deliberately indifferent to them—an exceedingly low expectation that appears designed to allow schools off the hook. It should be enough to show that a school reacted unreasonably—that it should have known of a substantial risk of sexual misconduct and acted to address it.

The agency received no shortage of comments—more than a hundred thousand by the close of the comment period, on Wednesday night. Several colleagues and I submitted our own critique of the regulations. Perhaps the comments will result in some amendments to the final regulations, or maybe DeVos will simply provide reasons for retaining her proposals. This Administration could easily end before new rules require schools to undertake major restructuring of their Title IX processes, for better and for worse. In the meantime, one hopes that the fair-process message will stick.

A previous version of this post incorrectly described part of the proposed rule change regarding evidentiary standards in school conduct hearings. Recommended Stories. For more details, see here.


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Once again, please be aware that these films are a tiny fraction of the titles featured in the database: The burden of proof for accepting them is substantially higher and you need to provide a lot of convincing and verifiable evidence that the film is eligible. I tried to add my project but you have rejected it. When you submit a new title, you have to provide evidence that it fulfills our eligibility criteria.

If the information is not included, a title may be rejected even if it is eligible. To check the status of your title submission, you can visit your update history and click on the Track Contribution button located below the corresponding title submission update number. If the latter, you will need to provide additional details or fix whatever problem with your submission indicated by the explanatory text attached to the update. I promise my title is eligible and will be released!

You must add it!

New York Consolidated Laws, Education Law - EDN Title 1 | NY State Senate

Nothing personal, but we can't rely on your word. The number of projects that are cancelled, even in production, or that are completed but never get a release or simply are not of general public interest as we define it is enormous. If you provide verifiable evidence that the title fulfills our acceptance criteria in some way, we'll be glad to list it.

Once again, however, the burden of proof rests on your shoulders. And we have no time to run after it. It is your job to provide the evidence so we can access and process it efficiently. This is not because we are mean or lazy, but because the number of titles we have to process each day is simply too large to allow for any other approach. This is unfair, you are stacking the deck against independent filmmakers -- I'm sure that big studio films don't have to go through this process. Every title in the database has to be approved by our editors. The budget for my film is confidential.

Do I need to include it? Knowing the budget for a title is useful and may help us approve your title. It will be published if you include it, but it is not mandatory to submit it. If you don't want to reveal the budget, don't submit a fantasy budget -- just omit it.

Budgets that are obviously wrong damage your credibility and the chances of the title to be accepted. Why did you reject my title and yet you list [insert title here]?

Each title is examined on a case-by-case basis. Do not assume that the existence of a certain title in the database is a guarantee that a similar title will be accepted. Additionally, certain titles particularly films in production may have been accepted because they were determined to be eligible at the time they were submitted but may no longer be suitable to be included. There may also be titles in the database that were added many years ago when our criteria were somewhat different. They might no longer be eligible according to current rules.

Finally some titles might have got in by mistake. Such titles are removed as they are identified. We remove ineligible titles all the time. If you are aware of titles that you believe are not eligible to be listed, feel free to bring them to our attention and our editors will be glad to reassess their status. What kind of verification do you need? For made-for-TV titles, we need evidence of past or future airing on a major market broadcast station or national network.

The Division 2 Title Update 5 Release Date

For direct-to-video projects, we need evidence of sales from a sufficiently non-local retailer other than the filmmakers or a distribution agreement with an established distributor. These are the most common situations; see also here for more details. What do you mean by "qualifying festival"? Not all film festivals are created equal.

Pal Pal Dil Ke Paas –Title - Sunny Deol,Karan Deol,Sahher -Arijit Singh,Parampara,Sachet,Rishi Rich

Our criteria specify that a film must have been screened at a selective festival, i. The festival must also be of sufficient stature and non-local relevance. For example, some ad hoc showcase in a little town to celebrate local talent is not a selective festival of the kind that gets you into IMDb. What does "online evidence" mean? How do I provide this verification to you? It means that as part of your submission you should include links to third-party sites that feature the required information.

By "third-party" we mean sites that are not connected to the production: the official website for the production company or the director and other cast and crew is not a third-party site. We are also unable to accept Facebook Pages or Wikipedia entries as online evidence. The lack of these links is one of the most common reasons why new titles are rejected: you need to provide direct links not just the home page of a site , and not vague descriptions like "The project was announced in the latest issue of [insert trade publication name here]".

Note that if the title is produced by an established production company - this means one that has produced several titles that have been distributed nationally - or is set up at an established studio or network, the site can be part of that company's site, like a press release or schedule page. See also here. But we're just starting production - we don't have an official web site yet! That's OK - we're not looking for a full-fledged web site, or even necessarily something that we would normally accept for an external link. Remember that we need a link to a specific page, not the home page of a site.

If there was once a link but it's gone now you can use the Internet Archive to try to get it back. But remember, existence of the film and eligibility are not the same.